• Gave myself 5 days to do something. This is what I managed to do. I'm trying to get better at illustrations, but I have patience to work on something for 3 days maximum :( Splash_Process.jpg5000x3140 2.21 MB Splash_Process-6.jpg3896x2429 2.83 MB concept list char copy.jpg5388x3000 1.7 MB
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  • Did a character concept for a course.https://www.artstation.com/artwork/P6gm3y - more:) list1.jpg3541x1920 2.82 MB
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  • Day 4: Star Wars May The 4th =] Queen Padmé Amidala in my art style! First time drawing her and I really enjoyed making this one! Used watercolours, ink pen, acrylic markers and gold paint for accents on my Canson mix media sketchbook. I hope you like it!
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  • A creature design from a while back
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  • Here is some more recent stuff, I need to make more body studies
  • It's been a while and god, it is so cringe to go through all previous messages xDmy study.
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  • Thank you! I finally cleaned that up. Meanwhile started 3 more ..I have a habit of taking too long to finish a piece, then I lose interest in it and just start something else. I found 8 from recently i started and abandoned, that are decent enough to not delete, but not finished. There’s also been a number of drawings I felt I “outgrew” - became better before I finished them, and it would be easier to start from scratch than fix them. Anyone else thinking that?
  • Lady Death Fanart Collectible: Part 6 Polypaint and base Hi, it’s time to share with you another part of the process to create this fanart piece. Polypaint As this is my first collectible fanart I didn’t have previous experience with polypaint so I tried my best and played a bit with it.I wanted to give a ghostly and eerie look to Lady Death, she is beautiful and deadly, but at the end of the day she is a woman that died and was reborn at hell as an avenging spirit, that’s why I gave her skin tone a bluish very cold tone.As you will see I gave myself some creative freedom to deviate from the traditional color scheme that this characater has in comics and illustrations.To add a bit of sensuality by painting some freckles on the face and the chest. The dark nature of this character was the perfect excuse to gave her a kind of goth make up, very dark shadows around the eyes, blue lips and fingernails. I know that the original character includes sexy red lips but I wanted this girl to have a sexy but at the same time creepy look, that’s why we can see some thin veins emanating from her eyes. The biggest chromatic change I did for this character is at the hair. Lady Death has a characteristic white weavy hair but in my fanart I decided to gave her a very saturated blue color.The reason behind this wasn’t only an aesthetic choice. I want that the face area strongly pulls the attention of the viewer so this area needed a stronger contrast. Another reason is that I want her to have a more modern look, as I mentioned before, I’m strongly attracted to women with goth/punk look. I gave myself half an hour or more to analyse the work of experienced sculptors that create collectibles and I discovered that the use of darker values on the skin is often applied to create a greater sense of volume and three-dimensionality. I found that areas with heavy ambient occlusion are the perfect places to paint with darker colors in order to increase the separation between different forms. Even though she has a bluish skin tone, I used a bit of warmer hues in areas that, in real life, tend to go towards red and pink, this is very obvious in the nose, cheeks, and knuckles. Thinking with a logical mind it’s completely absurd to have warmer tones on the body of a zombie like creature but I didn’t want to limit myself by using only blue tones, it looks boring and artificial. In real life these colors are created by blood vessels in areas where the skin is very thin. ** Scythe **for her weapon I applied a cool gray with some warmer variations, this color scheme is influenced by the work of H.R giger. Base I’d like to talk about the design for the base which, to be honest, I forgot to develop along with the character.My main idea with the base is to show that Lady Death inhabits a very sterile and arid land, at the end of the day she is at hell.You can see a that she walks over dirt and rocks, a sign that she’s surrounded by death and loneliness. As part of the landscape we can see some bones and skulls to reinforce the idea of lack of living creatures, yet we can see three hands that try to reach her legs.This hands represent that all creatures are subordinated to her power and seek an evil blessing with a simple touch of the princess of the damned.1- The hand with skin burns represents the souls of those who are newcomers to hell, tortured souls that suffer for the sins comitted on earth.2- The hand with greenish rotten skin and pustules is the reminder of the decay that has infected the souls of those who have been trapped and have forgotten their humanity3- Last but not least, the hand of a demon shows that even dark creatures and entities bow before her presence. The cherry on the top, at least in my vision, are the simese twins that emerge from the ground, this malevolent creatures remind us that in hell there’s only perversion and any trace of innocence is lost. Thanks for reading till this pointI’m really happy to be very close to finish this creative journey, last but not least it’s mandatory to talk about splitting the sculpture in several pieces to be printed, this will be my last entry before showing the final rendered images. See yaMay Zbrush be with you
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  • memory 2min gartic phone, used ref 2m gartic, used ref for pose 2min gartic 2min gartic 2min gartic 2min gartic memory memory memory memory study memory memory memorymemory memory memory memory memory memory study memorystudy study stylized left memory, right study study memory memorymemory memory memory memorymemory memory, porportions r offmemory memorystudystudy memorymemorymemory memory memory memory memory memory memory memory, right leg is a bit broken The feeling of only getting 1 - 3 likes on a social media post will never not be discouraging. But nothing is discouraging enough to make me quit drawing. I think the strategy of drawing a lot of stuff and waiting a while to post is good though rather than posting it immediately and then feeling that sadness on the next set of drawing
  • Urban Dragon Girl Wip Urban Dragon Girl_wip1.jpg5000x5000 1.11 MB
  • Long time no see! New artworks produced lately
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  • studies studies juri study imagination, how I feel before a speech imagination imagination study something I drew for my presentation also drew this for my presentation, didn't fix the one hand being bigger than the other imagination + study study studies study study, I need to fix the face a bit based on screenshot from anime but in my style study. except for the eye study studies studies study. changed some things tho imagination imagination imagination study studies, except top right samurai based on anime screenshot wolverine studies, changed some of the poses a lil, not very good at all, but first time i drew the character ever. semi study studies study imagination imagination imagination , for first time ever i tried to draw over 3d model for middle pose, I dont like the result tbh, but it makes it much easier than coming up with it from memory.imagination, except right figurestudies imagination + studies, coming up with action poses r hard, these are not dynamic enough, I will redraw better ones in future. imagination , imagination imagination study, except for eye imagination imagination imagination doodles except for the two chrollos imagination storyboard thumbnail, idk if i ever shared this. my storyboards end up being a little detailed since i usually just draw in one layer.
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  • Quick fun sketch. CyberFish.jpg2394x3857 674 KB
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  • Art Blog - April to September 2023 Suffer a little burn out. Look at some memes. Here's some art from in between. critique.jpg1333x5736 1.77 MB
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  • And some more! Been painting over them a bit more this time. Some variants I tried for the old guy using mainly the liquify tool. Someohow looking a bit like Owen Wilson (not intended :D)
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  • Hello! My name is Vithor, I am from Brazil, studied Design at a local college worked as an illustrator for more than 10 years. I took a time off around 3 years ago and am trying to get back in my art shape and maybe become professional again. Here are some recent pictures: You can find timelapses for most of them on my instagram: www.instagram.com Vithor Albertim (@vithor_albertim) • Instagram photos and videos 123 Followers, 638 Following, 19 Posts - See Instagram photos and videos from Vithor Albertim (@vithor_albertim) Comments and critiques are always welcome.Cheers!
  • @patrycja.lerch Thank you I created another variant, which might capture the witch look I was going for better
  • Thank you @daceronine! If I remember I save in google cloud, I will have to stick a note to do it more often. Lamp is from life. Poses are from refs but I look at refs for a while and then try to do it myself and look it up if needed. Outfits and rest is from imagination Something went wrong while installing system so we will have to wipe everything again... pc works but something is wrong. We will wait till internet is done and I will save everything on cloud this time Threads came out in eu. It's been 3 days and I had more engagement than after half a year on instagram. It feels really nice I hope it stays this way A portrait of old dude. It's the same character I posted a while ago. Inspired by Bayard Wu work. At first I thought of him as a bear but I named him Fenrir and I think wolf suits him better. Eye gave me a bit of hard time but I think it is fine now. I focused on face and forgot about area below. The way I draw hair clashes with greying hair. I had the same problem while doing Lohse's white hair. Does it looks like it is greying here? I love how desaturated red looks blue there. I keep lying to myself that I will use different color scheme but It all comes down to this blue and yellowish one it is just flipped this time Have a great day!
  • Been bad about posting updates on the forum. I figure I should just throw down stuff. instead of waiting until I finish something.
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  • Havent done much this year since I am focusing on learning programming and deving my own Indie Game . But here 's a New Year Piece 2024 , she 's the mascot for my Game Studio - Lucid Realm : Lucid Chan ! LucidChan_v001_sketches.jpg3072x4352 973 KB
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  • Long Crested Eagle studyI had so much fun making this one and honestly I love that Eagle! It looks so cool! Used for this one high quality watercolours, high quality watercolour sketchbook/ cold press and it was 300 grams paper.I hope you like it!
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I was wondering what experience others had with this.

I've used a normal Wacom tablet on and off for probably 14ish years. Initially I played with it a little bit way back when (Intuos 3). Then I let it collect dust for about 10 years and now I've been using the Intuos 3 and then a Intuos Pro Medium for about 4 years, 2-3 of which has been full time.

I then decided to try a Cintiq and, to be honest, I hated it. I then tried traditional pen and paper and also hated it. I have next to zero traditional art background and all my experience has really been on a tablet.

Somehow it seems my brain has been wired to always see my final work without a hand in the way. Also due to the translation size (medium tablet with a 27" monitor) my hand has become used to very small fine movements. Transitioning to a 1:1 ratio of hand movement on the Cintiq feels off now.

Anyone else here come from a purely digital art background with no traditional experience, and then switched to the Cintiq many, many years later? How long was the transition period for you? Did you eventually feel more proficient with the Cintiq?

My long term goal is 3d, so maybe it's a waste to get used to the Cintiq, but overall this is something I did not expect! For most things the normal Intuos seems sufficient, but long sweeping lines (curved or straight) are definitely a struggle on the tablet. No matter how used to it I am, any movement beyond an inch the disconnect becomes too strong to maintain accuracy... hence the desire to get used to Cintiq.

I used to use an intuos-like tablet before getting my cintiq, but I have always done traditional art as a kid, so the transition from tablet to cintiq felt natural and I immediately preferred the cintiq's intuitive nature.

Your issue is a unique one, I must admit. I don't know that I've ever met an artist who prefers the disconnection inherent to a tablet, but if that's what you're used to and you're getting results you like, then I don't see any immediate need to "learn" how to draw in a more traditional sense. That said, there are some benefits to a 1:1 scale, especially for drawing. Generally, it is easier to make gestural strokes using quick, practiced movements from the shoulder joint, and this is often a necessary skill for artists to have. I'm not certain you will be able to produce precisely those same results with a tablet setup. It's kind of a nuance, but I think you might stumble upon several such intricacies of the mechanics of drawing that will distinguish a traditional artist from you.

That's not to say your learning process will be greatly hindered, but you might run into some obstacles that would otherwise not occur. I'm kind of going off on a tangent, but my point is that drawing is and generally always has been a hand/pencil/paper relationship, and in my opinion, disconnecting one of those is a bit unnatural. If I had to give you advice, I would suggest giving traditional art a solid try. Even just pencil and paper. Try to fill at least one sketchbook before completely writing off traditional art, because I think it presents some valuable challenges that you would otherwise never face (for example, the general inability to undo something). I hope this comment was in some way helpful for you!

That's indeed a strange "problem" to have hehe. Just like @sanguine mentioned, it's not a bad idea at all to get used to drawing 1:1 just so that you have more opportunities to practice when you're away from the tablet (doodling on pen/paper or ipad pro if you ever get one) and can draw steadier, longer strokes more easily.

Strictly career-wise, it's not needed, but if you're used to drawing on a tablet learning to draw on paper/cintiq should come to you pretty quickly even though it might feel very strange and shaky for the first couple hours :wink:

1 month later

For me I will always use an Intuos over a Cintiq for one reason: posture. Many people don´t think about ergonomics when drawing, but hunched over a cintiq 8 hours a day for a few years can wreck your back. Even having the Cintiq upright so its perpendicular to my face cramps up my arm from raising it to draw. The Intuos remedies all these problems.

There's actually quite a number of people who prefers traditional tablets.
I have 1 screenless and a screen one and I use them for different purposes (they're not Wacom, I use Xp-pen products and I found them pretty good and they're chep so I can have 2 for less than what would have costed me to buy a single Cintiq :P) ). While editing, like making some adjustments to proportions, an arm too long, an eye in the wrong position etc., I prefer the screenless one. Also for coloring, I like not having the hand in the way so I can have a better picture of what I'm making.
For sketching and inking I prefer the screen one, it's faster and more intuitive and I usually make the lines right at the first take, while I have to undo a lot with the classic tablet. So, different tools for different purposes :stuck_out_tongue:
But there's a lot of artists that only use the desk ones, like Trent Kaniuga comes to mind. So yeah, whatever suits you ^^.

20 days later

Awesome, thank you for the insight. I've been trying to get in some traditional sketching here and there and it has helped make the Cintiq feel a little better, but it's amazing how used to a tablet I've become. Sure, it sucks getting some line angles done on a tablet, but seeing the final piece without my hand in the way has become natural. It's comforting knowing I'm not the only one though.

2 months later

Hey, I wanted to follow up in case some newer artists found this thread. Maybe I'll post it somewhere as an original post later if this gets lost, but I took the time to try and recreate the same image from around the web with an Intuos (always seen on the left side) and a Cintiq (always seen on the right side). It's not a perfect experiment, as the time spent on each respectively was not identical, but I tried to keep it similar.

Personally, I think the Intuos versions always came out better except for, possibly, the inking sample at the end. The Cintiq made getting longer curvy smooth lines easier for sure, but I could easily clean up the Intuos inking if I wanted to. I did find that I almost always wanted to spend more time on the intuos versions. I think it's much easier for me to spot errors and make adjustment on the Intuos because I get the whole picture at once, in the final product viewing angle, and without my fat hand in the way.

The main caveat here is that I have experience on an Intuos but almost zero traditional or Cintiq experience. This post is probably the most useful for an artist who has been working on an Intuos and is wondering if an upgrade to a Cintiq will help. In the long term, most likely, but in the short term, probably not, unless you have extensive traditional experience. Hope this is helpful to someone!

note: big picture! you can zoom in quite a bit