Oh my, are you sure you are a student? Such amazing pieces you have here! Congrats and keep up the amazing job!

Thanks Lockenheim! I assure you, I am still a student; there's so much I don't know, especially since I want to become a professional artist in the film and game industry.

Value studies #4 and #5
I'm not really satisfied with my results, but oh well ;-; I get impatient and my brain gets fried often when I try to do the details. Almost every study took has been taking more than a day to complete. But of course, I was taking longer because I sometimes get very distracted ::>_<::

Hey =) These value studies look like a lot of fun, so I took the liberty and tried improving it with what I noticed. Though, I do have to preface it with a disclaimer: I have never done a value study before :D.

General things I noticed: Your value studies seem a bit dark overall and have quite a similar valuerange from fore- to background. Usually, the value range gets very narrow (little contrast), the further away something is from the viewer. I feel like there's to little of that in your studies.

I tried to remove the contrast in the background a bit and added more in the foreground, also trying to layer fore-/mid-/ and background in terms of value used. Note sure if this is accurate to your reference, but I felt like it's needed for the painting to read better.

Mayor key points I'd focus on are:

-your lightest lights/ darkests darks in the foreground should be more intense than in the background
- seperate objects a bit better where they overlap. I think it's okay to exaggerate the reference to make it read better (for example by adding atmosphere where it makes sense)

I hope this is of some use.

Thank you Xybb for the critque! The latest picture was indeed darker, and I guess tried to emulate that too much without really thinking much about how to distribute the values. Perhaps the pics I have also might not be the best, since I get confused from the lighting and local values.

Now that I look back to it, the pic for value 5 also had more darkness to the foreground. Oops! Thank you for the tips, they were helpful and I'll keep them in mind!

I can't anymore 🥲 The trees kinda look like blobs but have been really feeling that mental strain ( ノ ゚ー゚)ノ I think I've been working on this painting alone for about 8 hours

I tried to pay more attention to making the midground and background of a similar, and lighter value. But for the reference, I found that light and local values kinda make the standard dark, medium, light value distribution a bit mixed. So I think I relied on more of the shadows to help me know that standard order of values. Hopefully it's evident that the darkest shadows are in foreground.

Which created a question: would shadows, or areas not affected by light, generally be a guide to how I should establish the "standard" values? This would be great to know if I were to create my own landscape. If anyone knows let me know! I'll prob search it up too later

value #6

Took a whole day to complete one of the term 3 assignments ;-; Liking how the boxes fit with the muscles, although I messed up one of them unfortunately

Middle stage and final result:


Hi Rebecca.
Congrats in winning our monthly banner at Discord
:heart:

Wow, I love your constructions! I think these are pretty solid, even though I have some doubts on the neck's muscles in some drawings. Keep it up :sparkles: !

Thank you Lia! Do you mind elaborating where the neck muscles seem odd? I want to know 🥺

Dang these are really fantastic. I don't know why but my favorite part is the bag on the second piece. Just feels so light, wicker and volumous. Fantastic work!

So, I checked the neck's muscles of the second and third drawing of the second row. I tried to draw a head to understand better the flow and shape of the neck, the third is correct but the second one, for me, was a bit thicker. In particular the trapezius on the right side (of the body, not our right) was a bit higher and the left one larger. I corrected also the deltoid because it seemed not in the correct perspective (if the pose is a standard pose).

But take my feed with a grain of salt, I'm not an expert in human anatomy, hope this helps you!
I don't know if you checked yet Proko's video on necks but I'll leave here the link!
Neck Volumes
Neck anatomy

Thanks Lia for taking the time to point it out :blush:
I used a skeleton as a base for drawing the muscles, as per the instructions for this particular assignment. I corrected the parts you mentioned as well as I could, although I don't think the deltoid could be repositioned as much because of the skeleton:

I appreciate the critique, made me realize that deltoid part probably shouldn't come out that twisty lol and the relationship between parts

Np, but now I understand a lot better. The deltoid I think is in the right place because you are considering its attachment to the bone, I was thinking about bicep's volume that would cover the deltoid. Didn't know that you were using a skeleton to construct the muscles :astonished:, I'm not yet at term 2.