My part-time job is in a rush-hour period so I've been more tired than usual but I still have energy to draw surprisingly. I wanted to put my head drawing skills to the test after studying heads for awhile. I think I'm more familiar with head proportions now. It's easier to draw than it was for me a few months ago :sweat_smile: But I guess being consistent is still a big weakness for me. The heads I drew are kinda consistent but not consistent enough. Might be because I'm still unsure on how to draw for certain things.

I'll continue practicing the other stuff. Run run run

I was tired of doing studies and decided to doodle and sketch something. It's really been a long time since I doodled something that turned out the way I liked. Instead, of doing hair I normally sketched, I tried to be more creative with my hair shapes, and made it have that gentle but haggard look.

Even though I sketched finished, I think it will be a waste not to do some cool effects for it. It turned out to be spiders webs and a ghostly effect HAHAHAHAHA. It's nice to mess around sometimes and not worry so much about the process.

I will try to do this more often :relieved:

That hair looks really good! Some of those strands at the bottom have a cool wet look to them. And that top image looks very ethereal

Another Painting Study, but this time I didn't really spend so much time trying to eyeball the colours but kinda gauge and estimate based on the knowledge I've gotten from breaking down colours. It turns out it WORKS REALLY WELL. I barely had to change anything from the palette I did beforehand.
I guess limiting your colour choice and KEEPING IN MIND OF YOUR value changes are really important T-T I didn't know this before and would just whack any random colour of the colour wheel depending on how I felt like it.
Now, my new issue is my brushstrokes and cleanliness. I think I'm having issues rendering forms too. T-T There's so many things I want to work on but gotta remind myself to take things one step at a time and to learn it well. :cry:

Learning about head forms definitely made it easier for me to paint the head too. Just understanding the planes from the Asaro head will do WONDERS. :sleepy: I'd just wish I've implemented the stuff I learned from other sources more often. Before I will just eye power a lot of things and that made things so much more difficult for me.



You're paintings are so good!! I'm so jealous of your painting skills :joy: I can really tell that your studies are helping you too!

Do you have any tips for painting? Your colors are very clean and I've always had trouble with them getting muddy.

Hi @Shellac-Belly!

Oh yeah I do have some and thanks!
Nah it's just a lot of trial and error and observing how other artists do it. My paintings were really muddy too :') The biggest reason why my paintings were muddy was that I wasn't conscious/aware of my colour choices enough? :'D

But now that I'm taking my art studies more seriously, the information I got from watching art vids is starting to click in my head lol :'D. Wished I wasn't just lazy and start implementing those tips more.

Haha about the tips actually my friend just asked me about that too :joy:. If you don't mind I'll just post what I've just said to him below :hand:

Aye thanks man! Yeah sure. I think colour picking alot of like artists works. You will start to see that their colours are not random but have a certain pattern in them. So I believe that they do know how to sequence their colours in some way. You can see in some speedpaints they will have colour palettes in photoshop open and for some artists, they will say how they pick colours and it's through a certain order in the photoshop colour wheel. So it's all very technical, you just have to compare the value and saturation numbers in photoshop, and you will notice how the colour patterns. This might not be for all artworks. I haven't compared enough HAHAHA

But my values still need work. You still have to eyeball and adjust for the prepicked colours cause you might have picked wrongly, so if you have to make certain colours lighter or darker or saturated just do it. 🤔 It just helps you so you won't stray too far from the set values and colour theme yeah.

End of convo.

I think I have examples in my above paintings. You can see that I wrote out the colour values and saturations of the colours I colour picked so you can try doing that too! Just have to keep trying to breakdown other artists works enough so you can see how it works. I never really did this because I wanted to be " original " but yeah just do it! :raised_hands: Like that quote: You have to know the rules before you can break them :''')

Here's some videos too that I think will help with painting and some other tips I got:
- Knowing how light works on objects, the terminator, highlights
- Notice Value Changes/ transitions in light and dark. Here's a video where I got of that
: https://www.youtube.com/watch?v=Nuhd2TgAlPY&list=PLwbkBfXxH3HCu0wR_K3ncvb0ks4qwV9d3&index=14&t=0s. I think this is most important after you have established the basic lights and shadow areas of your painting. This is where your painting will really pop I feel. I think, in the beginning, I never took notice of this but in lights and shadows there are also differences in them. Like in shadows, there're terminators/ bounced light etc. and these will affect the values in the shadows and light have its own thing too. You can see it happening in these sphere

A phrase that helped me understand this well is the darkest light cannot be as dark as the lightest dark. Somewhere along those lines.
If you implement these it will help add more depth to your painting!
- Soft and Hard edges for lights and shadows *
- Knowing your the object your painting forms and PLANES* ARE IMPT. Like from the Asaro's head, I think that was a key part in helping me paint better. It helps you how to separate the value groups of the head easier
- Simplify Shadows and light in shapes and know where the light is hitting
- Brushes and your strokes are important! Test your brushes and make sure it gives you the results you want. I know there's a lot of videos out there that says it is not ABOUT THE BRUSH and I can tell you I think I spent so long painting and having a hard time getting the values that I wanted JUST CAUSE I STUCK WITH THE DEFAULT BRUSHES. It's really about the BRUSH so yeah just make sure your brushes settings work for you :'D.
-Paint in the contours of the object. If you have sloppy strokes, it will show.
-Paint Step by Step, don't jump to painting details too quickly. - I fall victim to this so much in the beginning and I still do sigh. Always try to fix the main problems like proportion, light and shadows etc.
- Limit Palette, decide the value range of your painting and what colours are needed before you paint. - The thing I realise if you were to pick paints as you go, you won't keep track of the colours are using and eventually, things will start going muddy. I think this helps minimise that the most! You will have an easier time trying other colours once you have the palette working.

Other tips:
There's a video where it says to have a good painting you just have to have 5 steps of values. I guess it's true from what I've gotten
-If you're using photoshop, I think one useful trick I learnt you can do to see your painting in grey value in realtime is to go Window> Arrange> New window. It will duplicate an identical canvas as the one you're working on. The useful thing about this is it keeps the settings in each canvas separate :joy: so you can go View> Proof Colours> Custom> Select Grey Dot 20% to see things in greyscale and just pop the window out and downscale it so you can see the greyscale of your painting.
-Try your best to replicate someone's painting you admire to the best of your ability/ photography. I think this helped me the most when I was starting to paint because it really forces you to think about how to prepare your painting so you can get the end result but it will take a long long time though. I spent almost 24 hrs on a painting.

or you can just get Naranbaatar head tutorials, I think he covers some concepts I stated above really well and you can see how it all comes together! It's really good not only for painting but for construction too which is important too if you want to paint well. You can also learn how to organise your drawing process more T u T.

Sorry if everything is all over the place, I just like to ramble without organising my thoughts well haha. I will try and organise better next time, I hope it is still helpful in some way :raised_hands: :'D

I did another painting study from the same ref as the previous painting study I did. I really like the colours they used in the video so I wanted to paint it once more. The head in this reference was a lot more difficult so I guess I have to practice drawing heads in more complex angles more T - T

I'm happy with how the colours turned out but I really wanted to capture the same feel as the previous study for the skin but I wasn't able to do it :''D I thought the skin in that one looked pretty cool but I guess this has its own vibe too.

Here's the process:





11 days later

I took a break from studies to do something fun. I'm really happy with how the colours turned out but er I guess I need to learn how to properly make use of my line art with the right colouring technique. I think the black outline kind of mess with my brain so I can't paint properly lol. I will get back to doing proper studies after this :cry:

I played around with the photoshop filters etc. to get this effect I guess I learned some cool stuff!

Some head proportions studies I did. I'm slowly taking the time to understand things. It's more helpful now, I'm beginning to see what are the mistakes I'm making and understanding the heads I'm seeing better. Now I'm just figuring how to rotate a head around and it's messing with my brain HAHAHA. I guess I'm just used to drawing heads intuitively but when u start wondering what actually changes when the head turns, yeah that's when my brain starts hurting.

Well I'll slowly figure it out somehow. :mask:


Another page of head studies. After doing studies for a while, I'm starting to miss doodling but doodling for me has started to become a sort of fear cause many things can go ugly when I doodle. I think I just need to overcome that and just focus on exploring ideas more instead of doing a perfect drawing. It's probably one of the reasons why I keep holding off from exploring my ideas cause I feel like I'll never be able to do them or I'll fail. I hope I'll eventually learn how to try without fearing to fail. I'll keep working on it T-T

Did some practice sketches. I should think about each drawing process more AND STUDY. You can see the last sketch looks much more controlled because I took the time to think about the process... I NEED TO DO THAT MORE OFTEN instead of randomly hatching = U = hope my brain will do it.