Ash - Art School Journey

[ashley.durnall1]

After my last image post, I tried a figure drawing with clothing... While it's not bad, i'm definitely not as well versed with clothes than nude figures.

I have also started the perspective video of term 1. I'll be honest, I didn't want to draw boxes in perspective due to potential boredom, but going straight into drawing rooms was super motivating. Marc is definitely very good at setting tasks that are fun.

This took me a lot longer than I really wanted, and technically it's not finished to the full extent of the reference I used (my own kitchen). But it was a lot more fun to do this. There's some areas where the picture looks flat - and i struggled to get the full extent of the third dimension - but i'm certain that indicating the light and shadow would help there.
I have a couple ideas for other perspective drawings, and i want to do some more curves.

Because this took me so long, i've not gone back to gesture and figure drawings - my fear is that i'll be back where I started (it does happen often). I'm going to try and re-motivate myself to draw in the mornings before work for recap.

As always, any critique and advise is much appreciated - I'm going to try and get more into this.

[ghostmonster]

I think your being a bit hard on yourself. I don't see any flat spots in this. there is no shading and all the perspective looks correct. Maybe the cupboards and sink could have had a bit more, but this looks good. if boxes sound boring, maybe try house hold objects, that will keep your brain in the mode of the exercise and be a bit more fun.

[ashley.durnall1]

I do have a tendency to be overly hard on myself - it's something i've always done. With the kitchen, I purposefully stopped so I didn't burn out with it. In place of that I started another perspective drawing from imagination, which i'll be posting up at some point. I may go back to the kitchen and add in the extra bits.

Now you've mentioned it, doing random objects sounds interesting too - I might have a go at that.

I should also watch the rest of the video - I couldn't watch it all due to time constraints and I was engrossed in the two perspective drawings i've been doing.

I will try to be less hard on myself in future.

[ashley.durnall1]

I had a pretty lax week with drawing and ended up not doing much else :c Work was particularly draining.

In light of that, I did manage to 'finish' my second perspective drawing - this time completely from imagination. There are some additional details I think I should go and add, for example the rest of the road detailing and the building in the background doesn't have any features.

I also want to redo the fencing by the small shop; I couldn't quite figure out the spacing. I didn't want to draw it on a separate layer and transform it to the shape... but i'm not quite sure how to get the spacing to look better - this version was a little more rushed.
I am a little scared i'm using too many guide lines (which is a silly fear, i know, especially while i'm still learning). Does anyone else get this?

I tried to add some shadows, but I definitely need to do some shadow studies of some sort. I could not wrap my head around it - I even tried to add some guides for it:

So as a result, I just decided to finish up there and not add more shadows... I've never done anything with values and colour, so I'm fine with it at this point. I'm not going to be a 'master' of everything straight away, and that's fine I've still got much I want to learn.

I do think I have some issues with finishing up these things - scenery takes a lot of work, I respect background artists a whole lot more now.

One thing I realise i'm not doing is drawing 'for myself'. Every session I do is something related to the course, I only create personal things via doodles and scribbly sketches. The justification is that "I'll draw my ideas when I'm more confident".
I don't know that this is the best mindset to be in...
I have redrawn one of my only personal drawings (one that I did almost a year ago now), and it turned out pretty well.

I'm going to continue with the perspective drawings! I want to add more details and possibly fully finish what I've started. I'll be sure to keep this updated with my progress and thanks to everyone for the help and advice!!

[MattD]

Your perspective assignments look really good. I totally get the worry of using too many guidelines in a perspective drawing but when you're starting out or just struggling it's totally normal to have a ton of guidelines. If I still had some of my first attempts at the perspective I would share them because the paper was worn thin because I had drawn, erased, and redrawn so many guidelines. The shadows you have in the second image look good to me, you're definitely going in the right direction.

I did a quick drawing to demonstrate how to do the spacing on the fence. First (black lines) define where the whole fence is going to go. Second (red square) define how big the fence post and space next to it are going to be. Next (green) use the "X" to find the center and draw a line all the way through the shape. Then (purple) from the bottom corner of the red shape draw a line that goes through where the black and green lines intersect. When you get to the top draw a line down. Repeat that (blue) until you get to the point where your essentially just drawing the lines on top of each other(orange). Finally, define the size of the post and the gap between posts (olive) and draw a line all the way to the VP (also olive). when you draw a line down each time it intersects with another line you'll have both the gap and post in perspective.

Okay, that was a bit longer than I meant for it to be and sounds like a lot of steps to remember but after a while, it just becomes second nature. Perspective is a tricky subject and just about every artist I've talked to has struggled with it so don't be discouraged.

Looking forward to seeing more of your assignments in the future, and let me know if you've got any questions about the whole perspective thing.

[ashley.durnall1]

So some life stuff happened and I couldn't work on learning
I need to strengthen my resolve to learn again - I think it's the slog of learning that gets me thinking 'oh I can do it later, i'll play video games now'.
I've not completely quit though, I have been doodling There's so much I want to draw and I do feel like a small fish in a giant ocean.
My experience will grow the more I draw! I am determined!

I took on board what @MattD showed me, which by the way has been super helpful - I think I understood all of it. I used it in the redraw of my street - most of it was tracing over my other drawing.

I copped out with the fence a bit and just drew the lines, but it's still using your method Matt!! I found it so much easier to make it look nice.
I tried to add a few details, but ultimately it's still sparse - I wanted to get a feel for the environment and practise the perspective.
The curve of the arch was super difficult - I opted for a flat bottom because I struggled to get a second curve to follow the first and keep the same distance as the pole. Though I also notice that I forgot it's 3rd dimension "-"
I used the path tool in PS to create the curve which I traced over. This made it a lot easier than just eyeballing it.
All in all - this has been successful. I don't think perspective in itself is difficult - it the details that aren't simple straight shapes that makes it difficult. Practise it be!

I did watch the video again and realised that Marc uses a lot of lines himself. Additionally, I was watching a backgrounds video from Drawfee on Youtube and a couple of them also used a load of lines to help. I think seeing professional artists do the same sort of thing reassured me a little. I know I'm very different to them in how I draw, but it's nice to see those with more experience still using these techniques

I'm hoping to at least try for consistency here, mainly for my sake. Its very useful being able to see your journey and realise that you've made progress. And the advice given and seeing other people's journeys makes it all the better. Thanks all

[ashley.durnall1]

I've got a little more structure now! I'm doing perspective stuff on my iPad at work, and practising that there (which seems to take a long time when you have a dedicated time to stop drawing because of starting work).
At home on photoshop i've gone back to doing gesture and figure drawings, as a refresh before moving to term 2.

I've got to say, it hit me realising i'd lost some of my ability to do gesture. I'm not super happy with what i've done. But I know it's fully because I've not done any for a couple weeks (while focusing on perspective). Once I get back into it - I know that i'll figure it all out again (pun intended).

I think one of the issues I find is that the site I use to throw gestures at me has a lot of side on or foreshortened gestures and they're not too easy to represent in stick form and in 30 seconds. But they aren't turning out too badly, i'm just not sure how to test if it's going in.

Does anyone have any sort of 'self-tests' to check if things are going in?
I know that if I try to do gesture drawings on Procreate on iPad, the results are much worse because I don't have the rulers like I do on Photoshop - I cant 'see' where the lines are supposed to be, even when the image is next to where i'm drawing. Maybe this is a way of testing myself

Thanks for reading and any advice, or tips for self-testing are much appreciated.
I'm also enjoying going through other people's journeys and seeing that I'm not alone... Though i'm not very active outside of here D: I might try - but it is very intimidating as I don't feel like I can offer anyone advice at this point in my art journey.

[chiara.arcidiaco]

I feel like you when I don't practice gesture drawing for a long period hahah it's like having lost a skill
These are great stick figure, the pose is so readable. I could give you the advice to try to do maybe a minute or two to create like a "simple" figure drawing, with volumes instead of lines, it really helps understanding the basic shapes and maybe it's a bit more funny and challenging

I use the iPad for gesture drawing but usually I don't "self test" if it's good like with overlaying my drawing on the photo. Most of the times I check if my line quality is loose without hard edges and the pose is well executed, even if it's a bit exaggerated and the proportion are not perfect.

I'm not the queen of gesture drawing but I hope that could help And don't worry to comment or give advice, everybody always appreciate that Sometimes instead I feel sorry to comment to much (sorry for that hahah)

Looking forward to see your next posts on term 2!

[marco_blanco]

So.. I just learned from your thread that I have Aphantasia, this is... life altering to me, I don't actually know how to feel, how can you miss something you never knew you we're missing. It has taken me a couple of days to come here and write about this, I want to say thank you for bringing it up, I never would have looked it up it wasn't for you.
I feel very ambiguous about it.

[ashley.durnall1]

I do hope its not a negative though - I mean, I was in the same boat as you for so long. I didn't realise it was a thing I couldn't do until i started talking to more people - a teacher at my high school said I must be brain dead because I couldn't visualise things.
I've found I struggle with art because of it - but I have seen someone with Aphantasia create beautiful artwork (i'd reference it if I could find it again).
Don't see it as a negative, I'm not sure what it is, or why some people have it - but not everything is bad

[ashley.durnall1]

Thanks for the advice I've looked at some of your work @chiara.arcidiaco and you're quite good at gestures, so your advice definitely has weight

One area I constantly think i'm lacking in is being able to simplify the forms and build up the gesture. Maybe it's because I've not done them for a while so my foundation for the gesture is not as strong. I've started to do some longer gesture drawings to try and build up the gesture more.
Though, I will admit my brain has sort of been elsewhere due to life things. Hopefully I'll have some more gestures by the end of the week that show some progress.

[ashley.durnall1]

I come here today with the question of: am I being too harsh on myself?

Because of life things I haven't spent as much time on gesture drawings as I want. But i wanted to share after my session today because I think I need to readjust my perspective a little.

Here's the gestures:

I decided to go with minute long gestures to try and fill out the bodies a bit more. The gestures to the left and above the red line were my previous attempts. Looking at them, the proportions feel bad. I've been struggling with identifying the proportions in such a short time scale. Because of that, I was getting frustrated and each subsequent drawing was tilting my perspective until I had to give up.

All of the gestures to the right of the red line (or below) were from today. I started disliking this sessions because the drawings looked messy and the proportions felt poor.
Most of the lines were pretty scratchy at first, but I went in after and cleaned them up where I could and I'll be honest - I am proud of these.
I spent a bit longer than a minute on some of these because they were negatively affecting me and I wanted to 'fix' them. The drawing next to the image was the worst culprit and I'm still not happy with it - and this is why i'm questioning my self-harshness.
I brought the image in to trace over to try and help before noticing the layers were merged and I was too frustrated to redo it Originally, the proportions I had done felt constricted, with the torso being too short and the legs just being awkwardly placed. I messed with it so much and in the end left it where it is. I really like the pose though.

My main issue is that i've been trying to learn now for 2 years, and up until doing Art School here my improvements were non-existent. I'm still unable to draw any of my D&D Characters as I wanted to, and this frustrates me. I'm definitely putting more effort into learning now - but I thought I might be able to at least create some artworks, even if they weren't pieces I was proud of.
Maybe it's my impatience (or more likely ADHD) stopping me from sitting for the hours it would take to just create something. I'm not sure. How have you taken the plunge into your first non-learning art pieces?

In other news, I am doing perspective in the morning before work. I've worked on a room that I am honestly happier with.

I've been using Procreate for this on my iPad pro. Doing this made me realise, I have no idea what goes into a room I wanted to draw a lamp on the bedside table, but the rounded bottom kept throwing me off - non-linear shapes are probably my nightmare with perspective. I've gone back to Marc's explanation a view times, but it's not clicking with me.
I'm not totally sure where I want to go with this - I want to add a window, but other than that i'm a little stumped, my bedroom is pretty much empty other than a bed and wardrobe.
I also want to practise more with round objects in perspective and not necessarily 'perfect' circles.
I've seen some other people's work on this and the amount of detail is impressive, I'm not sure how it's done - The monitor was difficult for me to get to that stage

Any feedback or advice is much appreciated.
I'm sorry if i'm a bit negative, I treat art as I would an academic subject and I've been trying to distinguish between the two.

[ashley.durnall1]

I put some more work into the perspective room - looking at other people's work I saw that so many people were filling the spaces with objects and mine looked pretty bare. I'm still not convinced there's enough here

I've had an issue getting the chair right, and even now it could be better, but I don't know how to make it look like a well proportioned chair. I measure out a person sized shape (3/5ths of the room height) and tried to measure it all out but that's on separate layers. I can port it from my iPad if anyone wants to see.

I did this pretty much entirely from 'imagination' which, obviously, is difficult when you can't visualise anything. But all in all, i'm pretty happy with this - I want to do some more. But I want to try and make it a bit faster. I have a few ideas in mind to increase my skills and I can't wait to share the work I do here.
Any critique is much appreciated - I know there's places I can improve, I'm just not totally sure how?
Colour is definitely one - but i'm hoping some of the later classes in Art School help there. It's a very daunting thing for me, and I know I'll tie myself in knots over it D:

I've thought about possibly using illustrator to help make at least a framework for the perspective - thanks to work, I know the shape manipulation tools a bit better that with PS. Also, working with vectors might help out a bit maybe? I got the idea from a YouTube channel - the artist (Fernando Nunes) created illustrations from his pencil sketches on Illustrator and it totally inspired me to use multiple tools to achieve my goals. To this end, I also want to try learning to 3D model my backgrounds to help... I know there's some ZBrush stuff in Art School which may be useful (do the skills transfer to Blender?)

[ashley.durnall1]

Here's some more gestures laced with some little gifts
I'm spending a lot of time on these because I want to be able to get flowing gesture drawings - I'm still not so sure with it. They feel stiff - I need to flow like water

I spent more time on my gestures and some came out badly, but that's the nature of the poses right? I had another difficult pose that frustrated me so much I just had to spend more time on it (it has the cylinder frame next to it).

The main reason for this image though is the 3 figures at the bottom. Completely from imagination, I'm super proud of them I just need to learn how to actually flesh them out and make characters to reach a milestone

I try to start with gestures to warm up - but I started Term 2!!! Head proportions didn't feel too difficult - maybe because i've been doodling featureless heads in my spare time previously.
I wanted to experiment with adding a neck and shading a bit - some of the head positions are questionable. I'm not so certain the proportion and gestures are correct, but I'm happy with them.

and today's work. I did an ear and it looks like an ear whut :o I was super pumped for this, my work colleagues were very confused by my excitement but i've done one. I'm not so good with drawing curves - might spend some time practising them. Also, I want to try adding colour/values to some of my drawings, but i'm a little intimidated by it. Any recommendations for starting?

Also, my manager challenged me to draw a guitar properly because he decided that I could do better that the 'flat' guitar I put into my perspective room. Super happy with the outcome - it really fills me with confidence. With Aphantasia, I thought I'd be unable to draw things and rotate them without specific reference - but this is the result. For context, my reference was an almost 2D front-on photo of a guitar.

I found that I could use as many lines as I wanted by reducing the colour opacity in ProCreate and draw the lines - it was super helpful when i needed lines but didn't want to over fill the screen.

[ashley.durnall1]

I'm going full steam ahead with Term 2 Anatomy! I assume that the end goal is to put everything together but i'm jumping the gun a little I want to solidify what i'm learning and put it to practise.

I'm managing to do these proportions and ears from imagination - I will try using reference for a few to see how that works out with my new knowledge.
I've found that I struggle with the head looking straight on. The proportions of the middle head just looks weird - I think it could be fixed by correcting the central line but i'm not sure. I'm going to check back in the video, but are there any methods anyone uses to better proportion the front-on head?

Ignore the disproportionate ears on the front-on head; I did them separately, and not all ears are drawn the same - I did have both on the canvas to try and reference but I got a bit impatient - working on this . I could've done it better if I measured properly.

I also added values and tried to give it a bit more shade. Overall, i'm massively happy here, I feel like the 3rd dimension is very visible here. It makes me more confident with adding values in the future - I may understand it more than I realised
I use the hard round brush with opacity pressure for sketching so I can be a bit lighter - I used the same brush to add the values to the ears.

[ashley.durnall1]

I need some advise.

I'm on Term 2 Anatomy and I'm fully stuck on noses. For whatever reason, I can't get noses down. I started on them today and my first attempt has completely stumped me.

Here's the attempt.

I followed along with the video, doing the same steps and adjusting for my drawing's differences. I'm not sure what happened, but it just because a blob of lines and grey xD

I'm possibly thinking that I got ahead of myself and should draw over some real noses to get a feel for the shapes maybe?

But for future attempts, how is the best way to approach noses? Are there any tips or tricks people use to help?

Any critique and help is appreciated here.
I don't want to fall at the hurdles - and I've found that the help I've gained from people here has made me learn so much faster than I was alone.

[ashley.durnall1]

I don't think I'm getting this.

Can someone help tell me where I'm going wrong? I feel like the bottom of the noses I draw are too big.
I follow the video, but somewhere in the mix my work deviates and ends up looking wrong. I attempted to draw a couple more, but I don't really know how to continue.
I even tried to draw over real noses, but I don't really understand how those boxes become a full nose.

This certainly feels like a giant brick wall in the way of progress. Maybe this method is not the best way for me? I don't quite know how to get past it - maybe neglect to draw the nose on my characters I know some people avoid drawing hands and feet, can you do the same with noses?

EDIT:
I've had another go, and it's definitely the bottom of the nose throwing me off. I had a bit of a revelation while rewatching the video for (I think) the 4th time and realised Marc doesn't take the bottom of the nose right down to the curve. This has helped a tiny bit. but I still think I need the help understanding it.

But is this better?

I don't know whether the underside of the nose should just abruptly end at the centre of the nose. It just feels wrong, though looking at it from a distance it could be the nostril hole, and not the central bit?

I think if i can figure out a way to confidently place the middle underside of the nose, I might have something closer to a nose.

[WeirdOwl]

Hi Ashley! I think you're on the right path, your last attempt is definitely closer. What helped me in my time, was imagining the underside of the nose as a perpendicular line to the middle line of the face. Sure, not all noses are straight like that, some curve up, some curve down even, but as a baseline it helped me visualize the rotation of the tip and the positioning.
Let me know if this doesn't make any sense, and I'll try to make a schematic of how I build it.

[ashley.durnall1]

I had a similar thought after looking at my own nose and re-watching the video. In practise though, i'm not sure if i've got it down. I did some free standing noses, which may or may not be the best thing to do

In each, i marked the perpendicular line and tried to follow it when adding the nostrils. I definitely don't understand the shading, so I did a couple without (maybe this helps see mistakes better).
I feel like there's multiple issues with them - mainly with the ball of the nose and the wings. I don't quite know how to get the three dimensional look with them, they just seem flat and the nostrils too big.

On a brain thinking level, I think I know what to do - I just can't actualise it. It may be useful to see how you do it.
I did try and figure out how to replicate one of the noses from the references I have, but I struggled a lot. Maybe it's easier to do it on a head?

I did a step-by-step process of how I have been drawing noses:

I don't think it looks necessarily bad, but it still feels flat (maybe) at the tip. I can't see how i'd add shade to make it look 3D.
Maybe this step-by-step will better to see where I'm going wrong, if I am

[WeirdOwl]

I think I'm starting to see your main issue: when you make the outlines, the tip of the nose is drawn flat, so it's very difficult to visualize and shade it round afterwards. Also, the nostrils don't land exactly flat with the middle of the nose.
Maybe this method will help you a little (it's more simplified and not as anatomically correct, but it could be a bridge for now)