Thank you so much, @LesleyCarol!
Here is yesterday's and today's practise. Today (two pieces in the bottom right) I tried to include ambient/bounce light to the forms. What do you think? did I overdo it or is it coherent with the light source?
I also tried to portray depth by doing one shape in the background with less contrast. Kinda failed at that one
What I also learned is that too much contrast makes the shapes look as if their planes had different base tones (form on the far left).
What do you guys think?
And here I go with another form study. I think I've made some good improvements in the last weeks with those...
There is another thing I want to hear your all opinions on: as I am going to have a little more time on my hands now, I feel like I want to do some personal stuff as well.
The big thing I've encountered whenever I want to start a little personal project, is that I tend to give up midway because I feel overwhelmed with all the stuff I have to consider and comparing the idea I have in my head with the work I can put down on the page is always super discouraging.
I am not sure how to tackle this, all my art journey up until now has been studies, studies and studies.
How do you guys cope with that? do you just go big, like the things you want to do eventually, embrace that you suck and try to learn as much as you can from it? Or do you try to scale your personal projects so that you can get a little win out of it? and if so, how do you do that...
Sorry for the wall of text Thanks in advance for your thoughts.
This is super coincidental since i had this thought a few days ago, most of my stuff has just been studies and i have rarely set aside time for any personal work. I've seen several discussions on people just tending to do alot of studying yet rarely do personal projects. There are several things to think about such as; make multiple pieces and cycle between them if you find that you've kind of got tired of one (however then you may not go back to it since you're discouraged), another is your 'eye' growing faster than your hands but the big thing for me is that i needed to just create. 'my purpose for starting art was to create, so even if it is bad and i suck terribly, i need to push forward, step up and cling to the hope that i will one day reach where i want to' is what i said to myself yesterday. I have the same kind of mindset where i'll start a piece then leave it midway through alot of the times since i feel like it's bad and get discouraged. I don't want to extend this out too long so i'll link this: https://www.youtube.com/watch?v=GFHNyGWVYQU
i watched this yesterday and had a little bit of a thought that i should set aside some time for drawing, even if it turned out bad. I hope this helps!
First of all, DAAAAAAAAAAAAMMMMMMN! This is aesthetic. I think the side values for the tall skinny figure could be lighter, but overall everything works so well together. Love it, so much progress here.
The following is hella long, so here's a summary: Keep studying as much as you can, do study challenges but make a theme and infuse some creativity into it. As your studies get more complicated the easier it will be to do illustrations. Each of the videos/topics here are like tools, so if you try to tackle something you might get frustrated because you don't have all the tools yet to finish the job. Also, focus on the research and process rather than the finished product.
tldr;
For your other question I'll give my experience and you can take what you want from it.
One big thing I learned from doing the later terms and the design course from CGMA is: I was being too ambitious and diving in head first to my personal projects. So much thought needs to go into the shape of things, the style that you want everything to be in, which reference material you want to use etc. When I did personal projects in the past I felt discouraged and gave up on a few. When I did finish something I would share it but the feedback was even more discouraging because I was lacking in so many fundamentals.
One thing I noticed was that I got more satisfaction from modifying studies or doing challenges where the focus was practicing something but I added an element to make it fun.
When I did Inktober a few years ago, I decided to practice anatomy so I treated my Inktober drawings as figure studies and made it fun by adding clothes based on the themes.
I finished the challenge and I'm really proud of it, despite not liking every design lol.
Another thing I noticed is that focusing more on the process and research makes me put less emphasis on the art techniques and makes everything more enjoyable. I think I used to worry too much about the textures, anatomy, etc and that crippled my creativity. Before I knew it I got turned off from what I was doing and gave up (ie that 2-d city project I was doing ) But when I started to be okay with ugly scribbles at the beginning of the process and focused more on how things work and shape language of my ideas it became easier to draw more finished things.
I think it's good to be study and research focused at all times and have fun with it. Once I started studying more advanced topics it was easier to do more advanced images. Now I feel more confident with tackling character art, props, and general illustrations.
One concrete example is the whole "what should I do for the background?" phenomenon that plagues most of us artists. Before, I used to think of a cool character, draw the skeleton, pile on the details, and put some generic gradient in the back or "suggest" a street or room etc.
Now going into my personal project I wrote out characters that I want to focus on and listed characteristics for them. Then I went and gathered photo references for the general feel of each character and the world they live in. After that I looked up art that sums up the general style I want the project to be in. (I promise I'm getting to backgrounds, stay with me )
From this point on, once I get the character sheets down, I will have a ton of information to construct an illustration. I can tell myself "Okay, this character has this personality and would stand like this. They have this kind of role and live in this time period so they'd most likely be in this location." After that it's a matter of making composition thumbnails and bam, I have a full scene instead of a random character with a bokeh background.
On top of that, I'm so hyped from the inspirational references and art I collected that it will be hard for me to abandon it. I'm excited to see how everything turns out.
Sorry this is so long, but I hope it helps you in some way
Thank you so much, @OpaqueApple for your reply! You wont believe it but I just recently watched this exact video And it is a great video, Astri has such a positive mindset about the topic she talks about and her point are all really good! I'll make sure to watch it again to really get its essence
@LesleyCarol, thank you so much for taking the time to put together such a comprehensive and also entertaining post, it was great to read, so no worries about its length and also thanks for the feedback and compliment about my form studies (thanks to you they turned out so great, as you introduced Istebraks content to me and you always took the time to critique my work). I remember Ethan Becker saying sth similar about turning your studies into original pieces, which was at the time I heard it an interesting idea, but I did not quite understand how to do it. With your post, its a lot clearer to me now.
BIG THANKS to you two!
Here is todays practise. I thought I'd put my new knowledge of forms and value to the test by doing a study of the Asaro head. Doing a proper line art sketch of it plus assigning values took about 4hours
Though most of the time was spent copying and trying to make sense of the orientation of certain planes (the eye and mouth area gave me the most trouble), it was still fun to draw.
The values are probably not 100% correct, but its a start!
Have a great day, everyone!
This looks amazing! Your value knowledge is really shining here!
The main things that sticks out to me are the front plane of the forehead and the back of the head. The forehead's front plane is pushed forward too far and a little too curved. The back of the head is too rounded and pulled back a little.
Keep up the awesome work!
Thank you @afoster1138 and @LesleyCarol for your encouraging words and helpfuls feedback!
I did another one today using the already existing lineart and attempting to go for a different light setting. I might add some cast shadows later, but this is the progress so far.
I feel like I understand values in forms with hard edges a lot more now. A big thing I'll have to tackle in the nearer future is radial shading (balls and cylinder)... I think this head's eyeball shows why
Anyways, have a great day, everyone!
That is a really good exercise! Haven't seen many people do it actually. Getting to know the head planes is probably the number one pitfall for many artists.
You did really good with shading, I can only point out one issue: the plane on the cheekbone facing up should probably be lit the strongest as well as the upward-facing plane above the lips. I presume the light on your source photo is still slightly above the head (judging by forehead and eyelid ligting).